Friday, February 13, 2015

February 13 In Radio History


In 1914...The American Society of Composers, Authors and Publishers (ASCAP) was formed in New York City. The Society was founded to protect the copyrighted musical compositions of its members and collect licensing fees from users of music created by ASCAP members, then distribute them to its members as royalties. Its eventual rival performing rights organization, Broadcast Music Incorporated (BMI), was formed in 1939 as radio was coming to prominence as a source of musical entertainment.




In 1934...WNEW 1130 AM NYC Signed on

The station's origins go back to 1922 as WAAM and 1925 as WODA. A radio institution throughout the majority of the 20th century, WNEW was known for its music selection as well as its staff of radio personalities including Martin Block, Dee Finch, Gene Rayburn, Gene Klaven, Ted Brown and William B. Williams. WNEW is credited with pioneering the role of the disc jockey, as well as for developing the modern morning radio show format and debuting the first all-night radio show. In addition to its music and entertainment programming, WNEW featured an award-winning news desk and became "the voice of New York sports" for its coverage of New York Giants football games. After years of declining ratings and management changes in the 1980s, WNEW was purchased by Bloomberg L.P. in 1992 and changed call letters to WBBR.

WNEW was acquired in 1934 by advertising executive Milton Biow and watch manufacturer Arde Bulova after the Amalgamated Broadcasting System failed and began selling off its radio stations. New York socialite Bernice Judis was hired as WNEW's first General Manager.

As a small, independent radio station, WNEW lacked the funds larger networks Columbia Broadcasting System, Mutual Broadcasting System, and the National Broadcasting Company used to produce daily programming common for that time such as comedy shows, soap operas and dramatic programs. However, Judis was not discouraged, and even welcomed the opportunity to develop her own schedule of innovative programming that included playing recordings of popular music throughout the day, creating the first all-night radio show, Milkman's Matinee, and cultivating a line-up of popular morning radio show personalities.

In 1935, WNEW pioneered the concept of a disc jockey when staff announcer Martin Block needed to fill time between new bulletins during his coverage of the Lindbergh kidnapping trial of Bruno Hauptmann. Block did not have access to a live orchestra to play music during the breaks as most network stations did, so he played records instead.  Soon afterward, he piloted a 15-minute experimental show called the Make Believe Ballroom, during which he played records from popular bands and singers, posed as a live performance in an imaginary ballroom. During Block's tenure as host of Make Believe Ballroom, the show attracted 25% of the listening audience in New York City. The show continued in sporadic runs until the station's end in 1992.




In 1935...The “Make Believe Ballroom” debuts on WNEW

In 1936, as the popularity of recorded music grew, WNEW was the defendant in a lawsuit initiated by bandleaders Paul Whiteman, Sammy Kaye and Fred Waring claiming that the playing of records on radio broadcasts was undermining performers' network contracts, which often called for exclusive services. The court ruled that WNEW, after purchasing each record, was allowed to broadcast it regardless of the resistance from artists. WNEW's victory subsequently authorized radio stations across the country to start playing recorded music and brought about the modern radio programming landscape.

In 1942, Judis set up a broadcast desk at the New York Daily News and WNEW became one of the first stations to carry hourly newscasts, something that would become commonplace in the industry over the next fifteen years.[2]:22 The station ended its association with the Daily News in 1958 and went on to build its own news department with 13 reports and writers.


In 1947...the Mutual Broadcasting System aired "Family Theatre" for the first time.


In 1949..."Pat Novak For Hire," Jack Webb's first radio crime drama, began a one-year stay on the ABC Radio Network.




In 1956...Disc jockey/concert promoter Alan Freed signed a deal with Coral Records to compile and front four rock 'n' roll dance and party albums over the course of the next year.




In 1956...KYW 1060 AM in Philadelphia Penn gives calls to WTAM Cleveland. Philadelphia’s KYW has a long (and mobile) history.

KYW began in 1921 in Chicago, Illinois. It was jointly owned by Westinghouse Electric Corporation and Commonwealth Edison. Westinghouse later bought out ComEd's share and became sole owner of the station. In 1927, Westinghouse aligned its four radio stations (KYW, KDKA in Pittsburgh, WBZ in Boston and WBZA in Springfield, Massachusetts) with the NBC Blue Network, which originated from former sister station WJZ (the present-day WABC) in New York City. Westinghouse had been a founding partner of the Radio Corporation of America (RCA), NBC's original parent company.

Click to Enlarge
In 1934, the assignment of clear channels took a frequency away from Illinois and gave it to Pennsylvania, resulting in Westinghouse moving KYW to Philadelphia.  Upon arriving, KYW supplanted WFI and WLIT (which merged as WFIL in 1935) as Philadelphia's Blue Network affiliate – an affiliation that lasted 20 years (according to the June 14, 1940 edition of the Philadelphia Daily News, KYW used the frequency of 1020 AM at the time).

Circa 1946
In March 1941, KYW changed frequencies to 1060 AM as part of a nationwide shift of radio frequencies mandated by the North American Radio Broadcasting Agreement. KYW and the other Westinghouse radio stations remained with NBC after RCA was ordered by the FCC to break up its radio networks, aligning with the former Red Network (the predecessor of modern-day NBC) in 1942. KYW acquired a television counterpart when Westinghouse bought WPTZ (channel 3) – the nation's third commercial television station and NBC's second television affiliate – in 1953.

In June 1955, Westinghouse agreed to trade KYW and WPTZ to NBC in exchange for the network's properties in Cleveland, WNBK television and WTAM-AM-FM. Westinghouse also received $3 million in cash compensation.  The main impetus for the trade was NBC's desire to acquire an owned-and-operated television station in the fourth-largest American television market. NBC had to seek a waiver for the swap since KYW and NBC Radio's New York City flagship, WRCA (now sister station WFAN) were both clear channel stations; at the time, the Federal Communications Commission (FCC) normally did not allow common ownership of clear-channel stations with overlapping nighttime coverage. After clearing final regulatory hurdles, the swap went into effect on February 13, 1956. NBC took over the Philadelphia stations, rechristening 1060 AM as WRCV (for the RCA-Victor record label), and Westinghouse moved the KYW call letters to Cleveland.

Logo Today
However, almost immediately after the trade was finalized, Westinghouse complained to the FCC and the United States Department of Justice about NBC's coercion and an lengthy investigation was launched.  In August 1964, NBC's license for WRCV radio and television was renewed by the FCC – but only on the condition that the 1956 station swap be reversed.[9] Following nearly a year of appeals by NBC, Westinghouse regained control of WRCV-AM-TV on June 19, 1965 and subsequently restored the KYW call letters to the radio station (the television station became KYW-TV at this point).   To this day, the KYW stations insist that they "moved" to Cleveland in 1956 and "returned" to Philadelphia in 1965. However, the two stations' facilities remained the same.

On September 21, 1965, shortly after Westinghouse regained control of 1060 AM, the newly rechristened KYW once again dropped its NBC radio affiliation and was converted into one of the first all-news stations in the country


In 1995...The Howard Stern Radio Show begain airing on KIOZ-FM in San Diego, California.

No comments:

Post a Comment